Spot the Designer - Tsagaantsooj Erdenechimeg/ Mongolia
What did you want to be when you were a child?
I have wanted to be an architect since I was child, because I was attracted to descriptive geometry. However, I have been more fascinated by visual arts after I visited contemporary exhibitions. Then I decided to study art.
When have you started creating jewelry? How did this passion come about?
I first completed my academic studies in printmaking and later in ceramic art. When I began to create sculptures I learned to create motion, shape and composition of the figures. In my opinion, my academic studies in ceramic art influenced me to create jewelry. I visited a historical museum while I was studying. There I have researched work from art pieces of Mongolian ancient empires. In my third year of university I created my first silver earrings inspired by the culture of the Hunnu Empire. After my graduation, I have been working as an independent jeweler. It makes me happy when I create new ideas and new jewelry. I am more fascinated to create contemporary jewelry while I develop new ideas.
What was your first project or significant piece for you and from what point of view?
I think that the first significant project was a collection of earrings that were inspired by the structure of architecture. I observed earrings were like sculptures. Later I created a sculpture installation named "Wind". When I started making jewelry, I was studying how I could express my ideas and I got addicted to contemporary jewelry, so I wanted to develop myself to create it. In my opinion contemporary jewelry allows me to express the beauty of the three dimensions, movement and form.
How do you charge your batteries? What other passions and creative interests do you have?
I love traveling around beautiful nature. During my journey, I rest my body and mind, i love just feeling the beauty of nature. I like to discover new places, new ideas, new feelings. I also enjoy creating new art projects very much. My contemporary art works are inspired by sunshine, sea, wind and sky. My work process is very experimental, and I can't repeat it again. This experimental process drives me to create something new.
What does the connection between manufacturing tradition and contemporary design mean to you?
It means they both are supporting each other. Contemporary jewelry is a development of the manufacturing tradition and increases the value and meaning. In addition, it gives us unlimited possibilities for creativity. On the other hand, manufacturing tradition is the technical base for creation of new ideas.
Is there a self-portrait piece that speaks most about you?
I guess it's a silver brooch. Because when I began my jewelry practice, I made some earrings and the details of these earrings look like it. I am really happy to change my mind and can make contemporary pieces.
Which material have you not yet used is a temptation and a challenge for you?
I haven't yet used digital technologies, but I like making handcrafts more. I want to use glass, diamonds and precious stones. I think that recycled materials are challenging for me.
How was the pandemic period for you as a jewelry designer?
Fortunately, my studio is close to my home. So I wanted to use this time for creating new ideas. I believe creativity is the best way to find myself.
How do you see the future of contemporary jewelry?
In my perspective, contemporary jewelry will continue developing with new technologies, new and recycled materials. I believe that people will be more understanding and interested in contemporary jewelry.
Find more about the designer Tsagaantsooj Erdenechimeg