I have always loved adding a touch of the past and the present when creating a new design to keep the past unforgotten.
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The artistic level of jewelry makers is rising, and I feel that there are no longer limitations to the ways in which they express themselves. The diversity of materials and techniques used by artists meets their sculptural beauty, showcasing original contemporary adornments. I also hope to be one of the leading figures in the future of contemporary jewelry.
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Tradition and contemporary design, for me, symbolize power, freedom, emotions, and joy.
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Sooner or later, contemporary jewelry will most definitely have a more explosive prospect. The world became accustomed to it and is still learning to look for the story-behind-scenes and the manifesto in a piece of jewelry.
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I see the future of contemporary jewelry in ongoing experimentation with techniques, materials and languages on a path that is aware of its traditions but will increasingly travel alongside experiments in contemporary art.
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I believe that contemporary jewelry will take off worldwide. The technological progress, the rise of social media, the need for authenticity and uniqueness: everything seems to create a great milestone for contemporary jewelry.
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I'm very enthusiastic about the future of contemporary jewelry. There are still so many ways to explore this medium! It's not just a decoration, but a personal statement, being weird on the body like an art work on the wall.
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I hope we will be able to step out of our art jewelry “bubble” and cooperate more with other artistic fields. In general, I just hope for something interesting and fun to come.
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Modern jewelry design should become closer to the people. Be creative and wearable at the same time. Then everyone will benefit.
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My hope is to present glass as versatile and resilient by honoring traditional craftsmanship while continuing to push what this material is capable of conveying.
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I consider manufacturing tradition as a basis where making solutions can be drawn and combined with contemporary materials and design experiments.
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I think contemporary design –in terms of jewelry- can exist separately from the old manufacturing techniques [new materials, new approach, new fabrication methods], or it can use this amazing database [if I can use this term] as a starting point, as a base to build upon.
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Many other traditional craftsmanship is dying out due to the quality of time consuming and the old-fashion style, but it is a part of our cultural heritage that comes from the wisdom from the ancestors.
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I am searching what jewelry means to me and where can I see it. I find it in my own body and continue to experiment with it.
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As more people seek unique and unconventional pieces, contemporary jewelry is well-positioned to continue evolving and captivating audiences, both locally and globally.
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I see the future of contemporary jewellery very much intertwined with technology to become a mean for people to express themselves, state belonging to specific social groups and voice their opinion.
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I think contemporary jewelry is driven by the trend of art. From this, I can infer that "anti-contemporary jewellery" may be the future that contemporary jewellery will face.
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The future of contemporary jewelry is promising, with trends including sustainability, technological advancements, fusion of traditional and modern influences, individuality and personalization, and experimentation with materials and forms. It will continue to evolve, reflecting changing tastes and pushing boundaries.
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For me, the future of contemporary jewelry means freedom, renewal and development; the result of a creative process requiring multidisciplinary knowledge.
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Contemporary jewelry will always have its part in our future and lives and will find a strong path due to new techniques and new materials.
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