Lydia Elsa Martin, Joshua Kosker, and Melis Agabigum are the founding members of One and Three Collective. “Transgressing Constructs” is a love letter to the transformational quality of material and process. While unique and individual, each artist’s work questions the balance between maintaining and relinquishing control over the impermanence of surface and material.
Read MoreSIAJ - Slovenian Association of Jewellers is a non-profit cultural organization founded in 2021 aimed at promoting contemporary jewellery, fostering the exchange of ideas and experiences, and the development of theoretical and practical projects within the international and national art field.
Read MorePrecious has evolved organically since 2017 into a collective of over 360 makers from around the globe. Precious members are bound together by an ambiguous relationship to notions of what ‘precious’ is.
Read MoreIn my latest works the emphasis slightly shifted to the mechanics theater players use to construct their persona, identity. A process I relate to as the son of parents with 2 different cultural backgrounds. In this perspective my new works can be seen as research to how the Romanian and Flemish blood that runs through my veins shapes me into the person and artist I am.
Read MoreMy enameled jewelry depicts the impacts of nostalgia and neglect of industry and urbanization. I also examine how processes like mining and oil drilling impact and alter the environment. Cleaner sources of energy, such as wind, represent a new era of precious American industry.
Read MoreThis work is an expressive interpretation of nature and place and is part of a body of work exploring the tropical climate and joyful vibe of Key West. I find inspiration in hidden pathways and vibrant gardens filled with a variety of colors, patterns, and contrasts.
Read MoreMy approach to enamel is intuitive and expressive. I embrace its fragile and fickle nature while trusting how strong it can be. I find the balance through multiple layers of copper and enamel.
Read MoreI have a long-standing love affair with color, the bolder, the brighter, the better. I predominantly work in steel for practical and conceptual reasons. Steel allows me to work at the scale I want without sacrificing wearability. My heavily saturated color pallet works in opposition to the conventional neutral colors of the western world.
Read MoreInspired by the time-honored tradition and secret language of jewelry, I find delight in exploring the design challenges and many techniques of metalwork and enameling. My inspirations are nourished and deeply connected to the mystery and beauty of the natural world with its intricate details and captivating patterns.
Read MoreMy jewels are not only be dedicated to capturing the heart of sea and the wind playing with the water, but also represent metaphors of love and trauma, among many other things.
Read MoreMy personal experiences as a women and a mother and my view on reality are my starting point for my creation in this world. I create in metal, textiles and different materials, and fascinated to discover the meeting points and the relationships between the materials.
Read MoreDuring her time as a graduate student, Stina made a remarkable breakthrough by inventing distinctive soft concrete jewelry that defies the conventional properties of concrete. Her innovative designs spark dynamic interactions between the wearer and the observer, captivating both visually and through touch.
Read MoreSamantha’s wearable artworks reflect on her past and current lived experiences growing up on the Scottish West coast. By taking inspiration from ‘A Philosophy of Walking’ by Frederic Gros, her jewellery acts as a hybrid between aspects of the landscape and its biodiversity that she encounters on her wanders.
Read MoreYuqing attempts to restore the normal process by which human beings obtain information online, and to restore the image information to the physical existence of 3D objects made of copper/silver. When these objects are actually made, you will notice their size, shape, and how incompatible they are with the real world.
Read MoreBorn in Tehran, Morvarid Alavifard studied MA Jewellery and Metalwork at the RCA with the Behrense Foundation bursary scholarship. She graduated with first-class honours with BA in Jewellery and Objects from Birmingham City University.
Read MoreThe formal aesthetic of Sol Invictus (Latin for "eternal sun") is inspired by the process of photosynthesis, during which the light and heat of the sun causes plants to produce oxygen and their cell to develop, proliferate, move, and pigmentate. When exposed to heat, the jewelries change their shape, thanks to their nitinol-made framework.
Read MoreIn my Art Jewellery Practice, I focus on bringing awareness mental health issues through a body of work that examines and initiates a dialogue around the subject of mental ill health. In my ongoing “shared stories” project I collect stories that have voluntary been shared with me translate them in body adornments.
Read MoreJunru Xie, with the interest of stories telling through object, Junru works from personal experience. In her creative thinking, jewellery can be a form of therapy. With a humorous engaging and emotional approach, sighting in jewellery design to empathize with the wearer.
Read MoreI explore and study my identity in the context of my own body. I consider human body as our archive which preserve all our memories and our life experiences are written on it. This work represents my self-reflection. I literally bring my own skin on the surface.
Read MoreAchinoam Cina is a jewelry designer, metalsmith, metalsmith teacher, and makeup artist based in Ramat Gan, Israel. She specializes in unique fine jewelry with diamonds and gemstones, art jewelry, and stage jewelry for dance performances.
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